Quiet Cool

INT. A DIMLY LIT ROOM

GLEN, 15, sits at a desk looking down at an algebra textbook, his forehead resting on his left hand. Scowling, he takes both hands and slams the book closed, stands up, and paces back and forth next to his bed.

GLEN is fairly thin and his 6’3″ frame makes him look emaciated at times. He is not muscular. His feet move in short choppy steps as he makes his way towards his aquarium, then turns and goes back to his desk.

GLEN finally goes back to sit at his desk, opens the top drawer, and pulls out a blue folder with scribblings, drawings, and short quotes on it. The drawings are rough and unrefined, like those of a kindergartener, intertwined with images of maniacal character faces. As GLEN opens the folder, he looks back at his bedroom door to make sure that his mother is not peering in on him.

Carefully, GLEN stands up and slowly creeps towards the door to avoid making too much noise. He clicks on his overhead light, walks to the doorknob, and locks it. He slowly creeps back towards his desk, sits down, and then proceeds to look at the contents of the folder.

EXT. (DAY) GLEN WALKS DOWN THE STREET WITH GARRY

GLEN walks down a leaf-cluttered street with his backpack on. He is wearing a Kansas City Royals windbreaker, collared shirt, and khaki pants. His friend, GARRY, shuffles alongside GLEN, but has trouble keeping up with GLEN’s pace. GARRY is dressed in a bright orange pumpkin sweater. The sweater looks like something he may have received as a present from an elderly relative. He has on black slacks and black dress shoes which persistently ‘clickety-clack’ as he is trying to keep up with GLEN.

Occasionally GLEN stops or slows his pace, seemingly not realizing that he is walking faster than his friend. Suddenly, GLEN abruptly stops as if he had an epiphany. GARRY, not realizing how slick his shoes are and how fast he is walking, slides past GLEN into a tree.

GLEN runs over to help his friend, grabs him by the shoulders, holds him back a bit to examine if GARRY is injured, then slaps GARRY on the back and grins.

GLEN pulls his backpack off, lays it down on the curb, opens it, and pulls out the blue, drawing-covered folder he was studying the night before. Rapidly waving his left hand, GLEN summons GARRY over as if has found a major historical artifact.

GARRY approaches GLEN. Peering over GLEN’s shoulder, Garry examines the precious cargo GLEN wants to reveal.

GLEN slowly opens the folder to reveal a picture of a pro wrestler. The man in the picture is enormous and muscle-bound. The image is shot from the waist up to reveal a strong torso, bulging biceps and triceps, and a scar that runs across his right shoulder. Across his chest is an eagle tattoo. The eagle’s wings are outstretched and its head is pointed to the right, beak open, demonstrating the bird’s immense power. His face is painted into three segments: around the right eye and half the beak is the color red; around the left eye and the other half of its beak is the color blue; around the tip of the beak is the color white.

Towards the middle of the page, in bold lightning-bolt font, the name “STRANGLER” runs across his midsection like a belt.

GARRY’s eyes grow large. GLEN nods affirmatively to his friend. They high-five and continue nodding with approval.

——————–1996———————

Lots of hatred dwelled behind those eyes. The constant expression of fear and doubt scarred her forehead. The lines froze in a space below her bangs and slightly above the auburn eyebrows.

Hate. Fear. It all went away when they were together.

Her laugh. He called it a “giggle-cackle:

The semi-high-pitched cackle sounded like cats screeching or brakes being slammed upon asphalt in mid-July. Her laugh made hairs rise on the back of his neck. The same laugh heard romping between the sheets.

Heartfelt laughs. Whether responding to a smartass remark or to one of those jokes that is so bad that it is really supposed to be stupid but people ended up laughing anyway because it makes no sense, she laughed.

“What is life without laughter?”

She lifted her shoulders in synchronicity with her question.

“There is so much superficiality based on image in this world,” she said. “If we don’t laugh at it, then we shall perish in depression.”

It was hard not to notice when she was faking it. He saw right through “those” laughs.

“I don’t feel like this would be the right thing to do right now,” Carrie said, clearing her throat. “You dropped off the face of the earth then magically pop back up in my life. I moved on. I don’t need ‘us’ right now.”

She wasn’t sure why she was saying this. She wanted to go over for dinner, but she didn’t want anything else.

“Well, then, to hell with dinner,” Glen said. “Let’s go back and get naked. Yes? No?”

“No.”

Apprehension heard in the repeated clearing of her throat.

“Besides,” she looked down and grinned, “we…are…at your hose already!”

“Of COURSE we are,” Glen replied, his eyes red as if someone had rubbed them with sandpaper. “Damn, you are correct. That is why I was going to cook your dinner in the first place. Ok.”

She looked up.

“Do you have any beer?”

“Beer?”

Glen looked around the room. An empty Michelob 12-pack box sat on the counter.

“Hold on,” Glen said as he walked towards the refrigerator.

Opening up the door, the only items aligning the inside of the refrigerator were standard condiments – ketchup, mustard, mayo, relish. Each one of them could have easily been outdated if he considered checking, but he didn’t.

On the shelves, other solids (bologna, cheese, tomato, lettuce; a can of Manwich covered with foil; two oranges; a baggy of celery; and a small plastic bowl of tuna salad) and liquids (milk, water, 7-up, and pineapple juice) provided a glimpse into Glen’s day-to-day diet

“I guess we need to make a run to the liquor store,” Glen said, his head still in the open door of the refrigerator.

He stood up. She had made her way over towards him and was peering over his back. Glen, startled by her presence, hit the back of his head on the door of the attached freezer.

“I guess we do,” she said. “If we want to make up for lost time, I’m gonna need a drink.”

“That’s more like it.”

An Attempt at Italian Realism

EXT. SIDEWALK — RAINY DAY

BARRY steps off of a bus near a small apartment complex. He is holding a bottle of champagne under his right arm, while holding a broken umbrella in his right hand and a ring in his left. He paces back and forth in front of the building.

BARRY suddenly stops, takes a deep breath, then turns abruptly to his left and creeps towards the front stairs of the apartment building. BARRY reaches for the doorknob, pauses, and opens the door.

As BARRY is about to enter, he opens the hand that holds the ring, looks down at it, then closes his hand into a fist. As he looks up towards the opening, BARRY suddenly standing face-to-face with an elderly, bewildered man who is muttering to himself.

BARRY

Oh…pardon me. I didn’t…

The elderly man scowls at BARRY and tries to walk past him. BARRY initially tries to let the old man by, but moves to the exact same side that the man is trying to walk. The old man stops, scowls at BARRY again, then tries to step to the other side. BARRY instinctively moves to the same side.

This back and forth exchange continues three more times before the old man stops, inhales, squares his shoulders, and pushes BARRY aside. The champagne bottle starts to fall, but BARRY catches it at the last second.

OLD MAN (muttering under breath)

Goddamn moron.

BARRY brushes himself off and straightens his appearance while watching the old man hobble down the steps. BARRY looks at the broken umbrella, throws it over the staircase railing, shrugs, and proceeds to push the door open.

As BARRY enters the foyer of the apartment building, he walks over to the mailboxes aligning the wall. He reaches into his pocket and pulls out a small envelop that has the name, “Maggie,” written on the front. In childlike Valentine’s Day fashion, two hearts are drawn on each side of her name.

BARRY slides the envelop into one of the mailboxes. He reaches into another pocket and pulls out a different envelop with, “Jillian,” written on the front. The envelop is soggy and the letters are smeared but legible. He slips this envelop into a different box.

As BARRY turns and walks towards the staircase, he hears footsteps coming down from a few flights above him. BARRY quickly strides around the corner of an adjoining hallway and stops, pressing his back against the wall behind him. As the steps get closer, BARRY inches further away.

The girl, MAGGIE, stops at a mailbox, opens the door, and crams her hand inside pulling out the contents. MAGGIE shuffles through the stack of mail, stops at one envelop, pulls it from the stack and tosses it back into the box.

MAGGIE (angrily to herself)

Fuck, Barry. GO. AWAY!!!!!!

BARRY cringes, frowns, then looks down at the champagne bottle. MAGGIE opens the front door of the apartment building, looks both ways down the sidewalk, and, after noticing the coast is clear, she quickly runs back up the stairs towards her apartment. BARRY creeps around the corner with his head down; the bottle bounces off his leg in rhythm with his steps.

JUMP CUT

BARRY is sitting on a bench in a park near a busy intersection. Cars are lined up and hoking at each other. He looks at the champagne bottle. Forgetting the bottle was shaken up while bouncing against his leg on the walk over from the apartment, he opens the bottle. The explosion of champagne shoots all over rush pants and shoes. Once the spray subsides, he lifts the bottle to his lips and takes a long drink.

(Spring 2011)